prologue

 

ladder

 

epilogue

 prologue 
sea
desert
jungle
quarry
urbanity
antiquity
ocean
 epilogue 


                                 D3.3.1
                                 synergy

   

 
                     
About two summers ago, a boy in a desperate dilemma called a girl he didn't know, because he needed someone to listen to him. He chose her, for some instinctive reason, he knew he could trust and depend on her.

Sensing this, the girl vowed that she would never let this boy down ever. She would always do her best to help him, love him and inspire him. She believed in him because he believed in her.

Now, both of these children loved to dance and to 'feel it' -- feel the energy of the rhythm flow through them. And, oddly enough, even before they came together they knew the place.

In between 10th and 11th, off'a 27th street. It was the Sound Factory.
One weekend the boy had really had it and needed to get away.

He needed to feel what life was all about, he needed to 'feel it.' He called the girl and made her agree to go to New York with him for what the two would later dub a 'free-spirited pussy weekend'.

When they got to factory, they were both in their own ways set free.


For the first time that either of them had been there, they were with someone who didn't want to go home a t nine o'clock. They both wanted to stay there forever and agreed they were staying until they were swept out. Each had discovered someone else who 'knew the meaning'.

They separated from one and other to do what they had each come there to do. From four a.m. till noon, the boy danced out his aggression, his tenseness, and his pain. The girl danced to find her inner self, the person she knew herself to be, but had hidden away so deeply for fear of rejection while she grew up.
When the music stopped that night, or maybe it was a few factories later, a queen stamped his feet and yelled, 'Lovebreak, Bitch!" at Junior, the DJ. This child was not ready to go. He still needed to dance, to 'feel it'. Others joined in with the stomping and the catcalls.

Junior gave them their eighteen dollars worth and threw on Lovebreak.

I can't really explain what happened, but people broke lose. All around the floor, people ran the runway, kicked their feet high and spun. Some stranger picked the girl up and spun her upside down. There was no shade and when all the children left the factory that morning, they sang and danced as they bounded down the streets of Manhattan out to the pier.

The girl could feel the rhythm of the city in tune with her mind and her body. On that floor, through Lovebreak, she had broken through. All the love that was in her broke through and she finally let it out: She was white, she was female; she was poor; she was trash and she was proud. From that day forward, she saw the world differently -- positively. There was no where for her to go but up.
 

I can't speak for the boy, but something similar happened because he had the same glow, the same inner strength.

Upon returning to Boston, they had to return to their 'real lives.' The girl however, was determined to retain her identity, an identity she had fought her body for through eight hours of hard dancing.

In addition to their classes, the boy had to work the door at a club on Lansdowne known as Axis Tuesdays. If you have ever worked at a club, you know what I mean when I say -- it can get really boring.
To help him enjoy the nights he had to work, the girl would doll herself up in high club gear and skate on down to the club.

To remind him of their factory weekend, she yelled at Darren, the DJ, when the music stopped, "Lovebreak, Bitch, and stomped her foot. The boy laughed and made the DJ put the music back on quietly. He encouraged the girl to go out and dance.

       
  

For him, she did.

For herself, she did.

The vogue queens in the corner saw this and joined in.

The next week the DJ brought Lovebreak. The boy began encouraging everyone to go out there and do whatever it was in that was in them to do.

About a month into this, the manager gave him a microphone and a raise. With a Harper's Bazaar in his hand, he started yelling the names of clothing labels commanding all different kinds of people to twirl their best improv on his make believe catwal. He was all about sharing this extremely positive feeling the two of them found with all kinds of people.
   
 
Eventually, time passed and things, of course changed.
      
The boy moved to New York and the girl stopped going.
Her life had become hectic enough without all that.

Just recently, I returned to Axis Tuesday. I couldn't sleep and I wanted to get dressed up and go raise some hell. I admit, I was having a great time that night until the runway thing occurred.
 
 
   
   


As the weekly event had became so popular, actually drawing the likes of celebs and passing rock stars - they had to find someone to take over. But I noted something so wrong about the vibe as the night progressed. That is why I am writing this.

The new person doing the calling actually came out and pushed people off the floor to make room for himself.

Granted these guys weren't the most coordinated, drunk European boys, but they were out there. They were trying to let loose and they were having fun.

This bothered me very much because the runway we created was for everybody. It was meant to get everyone out on that dancefloor on a Tuesday night - so maybe, just maybe, each and every person who attended would be able to go home feeling like they had actually been somewhere and done something.

Not everyone can walk the best, or look the best or be the best. That's impossible. People can only be themselves and that's what its all about.

 
That night those people weren't allowed to be themselves because someone had to prove that they were the best and they were more worthy of the spotlight. I don't think those boys will be so eager to put themselves out in the open like that again because someone had to 'put them in there place'. It truly was a misery. What do people think prejudice is anyway?

 

I was ashamed that I had ever had anything to do with it. That type of repression is not what I'm about. I called Andre and Girlina today and asked them to remind me what runway was all about so I could remind myself and those who care to know: runway is really positive visual effect. the positive energy inside everyone, all types, coming out through what you do. it is what is inside coming out to play. --Andre Michel: art director D3.3.4 i've said this before and i'll say it again: attitude is for the insecure. When I go out to play, I want everyone, especially those I don't know, to have fun along with me. I thrive from their energy. Trixi gave me the word for that shared bonding of positive energy: it's called synergy. runway is synergy. -- Miss Tonya Knudsen: writer and visionary D3.4.1

©2001 AnyaHard.com